On February 24th, the North Carolina based furry convention Bewhiskered announced that furry YouTube content creator Beta Eta Delota would no longer be present as a Guest of Honor for their 2026 gathering.

We want to let you know that Beta Eta Delota will not be appearing as a Guest of Honor this year at Bewhiskered 2026. This decision was not made lightly and was made in coordination with Beta to ensure our ability to host a smooth and safe convention.

As many of you know, Beta has been the subject of a harassment campaign for the last several months. That campaign has unfortunately impacted us as well and generated more than one safety concern for the convention. The unfortunate end result, that we both agree on, is that if Beta were to attend, we are unsure we could offer him the quality experience that a Guest of Honor deserves and would have very real safety concerns to prepare for.

We have been and will continue to be a kink-friendly organization and will always do our best to uphold our values. This will be reflected by the panels we select, the dealers we invite, and more. - North Carolina Anthro Society

This announcement comes in the midst of an ongoing controversy in furry content creator spaces revolving around anti-ABDL furries from TikTok and pro-kink furries from YouTube, which has now bled into real world consequences at physical gatherings.

It is now March of 2026, and a story over two decades old has now been given new life and a new perspective when it comes to the behavior of media organizations in the early 2000s. At this time furries faced a hostile media landscape which included many infamous titles, such as “that one episode of CSI” by the name of Fur and Loathing.

This story is in regards to another of these publications, which was an article published by Vanity Fair by the name of “Pleasures of the Fur” this article went into very adult aspects of the fandom in a particularly sensationalist way that many furries of the time felt was inappropriate. The article was released in March of 2001 by George Gurley. It is a very raw, gonzo style piece that talks with furries and locals around Midwest Furfest in the year 2000, back when as the article mentioned, only 400 were in attendance.

Two years following this article, another piece would be released by Vanity Fair that was far more reserved in its approach. In fact the article didn't make the cover unlike our own. This hushed article of praise would end up changing the trajectory of an entire country toward one of its darkest chapters. This article covered the billionaire by the name of Jeffery Epstein. Recently it has come to light that the original author for that piece had their story reshaped and partially redacted when she found a thread of abuse perpetrated by the billionaire. Now in 2026, these are allegations that we are all too familiar with in the modern day after Jeffery’s conviction and death in prison.

Like other things around this story, reader discretion is advised as this covers topics such as abuse.

Welcome to another episode of Digging Up Positivity! The year is well on its way and boy was it packed! During SloFluffCon, I interviewed Uncle Kage, and we had Nordic FuzzCon, where I will give you a sneak peak behind the curtains of the circus together with the leader of the charity! This and more, but first, the charities!

Pixar's track record with animated anthropomorphic animals is kind of odd. Early on, it seemed to avoid the concept, or almost consciously steer towards animal characters not normally featured in animated movies. Its first two movies to fully feature animal characters were the insect-featuring A Bug's Life and the fish-focused Finding Nemo, the two types of animals the recent fully furry world sequel Zootopia 2 went out of its way to show were "okay to eat". The only other animal stars from the first decade of the twenty-first century from Pixar were the rats from Ratatouille, also an odd choice for an animal star. The goal seemed to be, if they were going to do something as "conventional" as a talking animal picture, they'd at least go for an "un-conventional" animal to do the talking.

More recently, however, Pixar has seemingly preferred variations on human-to-animal transformation. Brave, with magical human to bear transformations, was an early example, though the trend didn't really start until this decade, with Soul featuring a man stuck in a cat's body for most of the back half of the movie, Turning Red basically a straightforward furry transformation fantasy, and now Hoppers, which takes a more "science fiction" approach to the human intelligence in an animal's body. Directed by Daniel Chong, it tells the story of nature-lover Mabel (voiced by Piper Curda), who hijacks a local university's science project involving transferring human minds into animal robots in order to stop a highway project, becoming a beaver in disguise. I'm not entirely sure why Pixar has suddenly gotten really into "tf me into a ..." type stories, but it is a trend I've noticed.

(I also don't get how trendy beavers have gotten all the sudden. Is it dirty, or what?)