This is an incomplete list of titles that will be removed from Netflix during March 2026 (with a handful in early April), mostly in Canada and/or in the United States. Unless otherwise noted, end dates are based on the Netflix Canada service.

(Started putting this list together around March 12, so it mostly skips any content that was removed before that day. It was slow work; some USA exit dates are elusive to verify. My writing was hampered by a respiratory infection. I'm now non-infectious, but am still healing).

The most notable losses (in my opinion) are Sonic the Hedgehog (2020) and African Folktales Reimagined; details below. Also, I want to mention two things being removed after March:

April 5:

• Sirius the Jaeger (12 episodes; anime): vampire hunters including a "werewolf". NOT a traditional werewolf; small amount of body transformation plus glowing eyes.

June 25:

• Kipo and the Age of Wonderbeasts (seasons 1-3): with varies species of interest to furries. (Included this ahead of time, to increase the chances that before June, Flayrah readers have time to watch all 30 episodes.)

Because She-Ra and the Princesses of Power series (AWESOME show) was removed from Netflix, I was concerned that The Dragon Prince series would also be removed. I've now watched the entire series and recommend it. A sequel series, The Dragon King, has been funded by a Kickstarter that was "fully funded in under 5 hours" (source: Kickstarter), and raised more than a MILLION dollars ($1,098,489) from fans in 29 days. Because the sequel was not funded by Netflix, it seems unclear where it become available.

This is an incomplete list of titles that will be removed from Netflix during February 2026, mostly in Canada and/or in the United States. Unless otherwise noted, end dates are based on the Netflix Canada service.

(Started putting this list together around Feb. 7, so it mostly skips any content that was removed during the first week of the month. It was slow work; some USA exit dates are elusive to verify.)

The most discouraging losses (in my opinion) are Sing and She-Ra and the Princesses of Power; details below.

It's a flood of reviews! Today's trailers are for:

Those are in increasing order of recommendation. The first three are for kids, the fourth is anime, and the last one isn't furry but is worth mentioning!

The Boy and the Heron was released earlier in the year in Japan by Studio Ghibli, with no trailer and minimal advertising, the point being made that it is a movie by Hayao Miyazaki from Studio Ghibli. Like, if you know, you know, and if you don't, keep mum because the people who know will judge you. In America, GKIDS is the distributor, and they mostly kept to this same strategy, though as it had already been out in Japan over half the year and had it's Western debut at the Toronto International Film Festival, so they did eventually release a trailer. The film is available in Japanese with English subtitles, or English dubbing; both versions were available at my local cinema, so unless you're situated in a very rural area, it shouldn't be that hard to find your preference. This review is based on the English dubbed version; Ghibli films have traditionally had good English dubbing, and this film is no exception.

We just learned about Shangri-La Frontier, a black & white manga written by Katarina and illustrated by Ryosuke Fuji. “Second-year high school student Rakuro Hizutome loves nothing more than finding so-called ‘trash games’ and beating the crap out of them. When he decides to change things up by playing a new, ‘god-tier’ VR game known as Shangri-La Frontier (a.k.a. SLF), he does what he does best: Min-maxes, skips the prologue, and jumps straight into action! Clad in nothing but shorts and a bird mask, Rakuro (player name: Sunraku) launches into the world of SLF. Things are going well at first as he takes down a goblin, a bunny, and even a python. But then Sunraku comes up against a huge, hard-hitting wolf known as Lycagon the Nightslayer. Will Sunraku’s years of ‘trash game’ experience be enough, or is he about to suffer a rude awakening just a few hours into his SLF adventure?” The series is available now from Kodansha International. What’s more, there’s already an anime adaptation series available on Crunchyroll — and YouTube has a preview.

A Whisker Away (trailer) is an anime film about a young Japanese teenager who gains the ability to turn into a cat. Released in the summer of 2020, it was written by Mari Okada, directed by Junichi Sato and Tomotaka Shibayama, and animated by Studio Colorido. Its original title is Nakitai Watashi wa Neko o Kaburu, which translates to "Wanting to cry, I pretend to be a cat".

The main protagonist is a girl in her early teens, nicknamed Muge. She's madly in love with Hinode, a boy in her class who doesn't appreciate her advances. One night, she encounters a mysterious anthropomorphic feline who offers to sell her a magical mask. With it, Muge can turn into a cat and spend time with Hinode, getting to know him better. As she switches back and forth, she begins to wonder if she'd prefer to be a cat, rather than a human - but doesn't know what it might cost her.

Kemono Michi: Rise Up (aka Hataage! Kemono Michi) is new anime series being distributed by Funimation. In fact, it's one of two new anime series that might interest people in furry fandom, the other one being Beastars which will be airing on Netflix very soon!

Based on the manga by Natsume Akatsuki, Kemono Michi definitely doesn't take itself seriously. Shibata Genzo is a pro wrestler who's having the biggest match of his career against his opponent, Macadamian Ogre. Suddenly, mid-fight, Genzo is magically transported to another world, where a princess has ritually summoned him to be the hero to save her kingdom from demon beasts and their demon king.

Thing is, Genzo is a friend to animals, so he's not going to do it. He suplexes the princess, leaves his cloak behind, and escapes the castle (along with his little pet dog).

It's time to nominate the contenders for the 2018 Ursa Major Awards! You can send in your nominations until February 16, 2019. We'll see which of them get onto the final ballot in March, when voting opens, and the winners will be announced at AnthrOhio in late May.

If you really liked something in 2018 that had anthropomorphic content, either inside or outside the fandom, you can nominate up to five things in each category! Nominations are completely optional - you can even skip entire categories. All you need to do is go to the nominations page, click where it says "Enroll", and give it a valid email address. You'll be emailed a code, and you can use that to log in and fill out the nomination form.

Fred Patten was born in Los Angeles, California on December 11, 1940. By the time he was ten years old, he'd become interested in science fiction and had started to collect SF books and magazines. From 1958 to 1963 he attended UCLA, where he graduated with a master's degree in Library Science. During his university years, he discovered science fiction fandom, joined the Los Angeles Science Fantasy Society (LASFS), and started to write for fanzines.

In the 1970s, Fred became a partner in a bookstore in Long Beach, and also developed an interest in manga and anime from Japan. In 1977, along with Mark Merlino and others, Fred was one of the founding members of North America's first anime fan club, the Cartoon/Fantasy Organization. Partially through the C/FO, he and Mark expanded their mutual interest in animals in cartoons and science-fiction, which was a major step in the early evolution of furry fandom. A lot people aren't aware that in North America, both anime and furry fandoms share an originating root!

There is a balding man with glasses, standing in the corner, cradling a book against his stomach, reading. You saw him a lot. At the Los Angeles Science Fantasy Society meeting hall, the APA collation room, in the library, at science fiction conventions in function rooms and room parties, at San Diego Comic Con in the Rowrbrazzle contributor parties, at furry parties.

His name is Fred Patten, and was in no way the passive participant he seemed. With a partner he opened a book shop in Long Beach, California that not only carried SF and Fantasy books, but comics from all over the world. He reviewed SF and Fantasy literature for fan and professional publications. His apartment was literally wall-to-wall books. He collected SF/F art, storing paintings in his bed frame. I don't think anyone knew where he slept... or if he did.

Mary and the Witch's Flower (メアリと魔女の花 or Mary to Majo no Hana in Japanese) is the first feature-length film to be released by Studio Ponoc. The film was released in Japan in July 2017 and had a limited theatrical run in the United States in early 2018 prior to its home video release. It is based on the 1971 children's novel The Little Broomstick by Mary Stewart (which I haven't read and cannot comment on how closely it follows). At a high level, the film could be described as a sort of Harry Potter meets Kiki's Delivery Service. Some anime fans have noted similarities to the anime series Little Witch Academia.

This is the third film directed by Hiromasa Yonebayashi. It is no coincidence that the art style of the film closely resembles the works of Studio Ghibli, as Yonebayashi had previously worked there and was director of The Secret World of Arrietty and When Marnie Was There. Producer Yoshiaki Nishimura and many others who worked on the film were also alumni of Studio Ghibli, which had largely disbanded its creative department following the release of Marnie in 2014. The characters of Mary, Madam Mumblechook, and Doctor Dee are voiced by Ruby Barnhill, Kate Winslet, and Jim Broadbent respectively in the English dub (Hana Sugisaki, Yuki Amami, and Fumio Kohinata respectively in the original Japanese).

I don’t know about you, but I’m starting to get a feeling this year’s furry content is coordinating their themes. It’s always interesting when common threads start to show up near each other, especially when they were not intentional. I remember when Fred Patten’s anthology Furry Future was thought to have had prejudice as a subtheme by a non-furry reviewer. It might have seemed odd that all but one story in the anthology touched on the idea of social inequities without coaxing from the collection editor, but it was just coincidence that the writers felt like writing stories about that theme at the time.

It is surely strange coincidence that just after I played a game with a deeply ingrained theme of a protagonist diving head first into responsibilities to the point of self-detriment that there is an anime playing off this same subject released onto Netflix. However, unlike Yet Another Research Dog, which was a highly niche affair that probably only I had played of those I know, Aggretsuko was already slaying the fandom by the time I had gotten around to hitting the play button.

So what is all the hub about and is it worth the hype?

“Kemono Friends” (けものフレンズ) began in Japan in 2015 as a mobile game. A manga was serialized in “Monthly Shōnen Ace” (one of Japan’s “telephone book”-sized comics magazines) from May 2015 to March 2017, and a 12-episode anime TV series was broadcast from January 10 to March 28, 2017 on Wednesdays. Sequels are currently in production.

The plot is that Japari Park is a huge island zoo of real, extinct, and mythological animals. A mysterious substance, Sandstar, turns all the young female animals into “Friends”, Japanese cute girls about 10 to 12 years old with furry ears and tails. Kaban is a girl who wakes up in Japari Park with no memory of who she is or how she got there. Her first friend is Serval, a girl with serval ears & tail, who names her Kaban (bag) because of her backpack. Other characters they meet include Raccoon, Fennec, Alpaca, Crested Ibis, Jaguar, Beaver, Prairie Dog, Moose, Gray Wolf, and others. Lucky Beast, a mysterious robot rabbit, seems to be in charge. Kaban is helped by Serval and Fennec through the Park to learn who she really is.

Everyone expects “Kemono Friends” (in English, “Animal Friends”) to come to American TV and DVD soon. But for now, if you like Japanese animal girls (ears and tails only) of more species than just cats, dogs, and bunnies, then you can watch “Kemono Friends” on Steam's gaming service, or Crunchy Roll.

The Boy and the Beast (aka Bakemono no ko – English trailer) is a 2015 animated film from Japanese director Mamoru Hosoda, who directed the film Wolf Children in 2012. Both are of furry interest; this one even more so!

Ren is a 9-year-old boy who runs away to the busy streets of Tokyo after his mother dies. He has no way of contacting his father, whom his mother divorced, and has no love for his mother's relatives who want to take him in. Angry and upset, he wanders by accident into a parallel Earth, the beast world, where everyone is an anthropomorphic animal.

In the city of beasts, the current Grand Master (a rabbit) intends to transcend and reincarnate into a god, with two possible successors: a bear named Kumatetsu, or a boar named Yozen.

Can’t think of a better title than that, so why try? Several places on the Net (including Flayrah) have already made note recently of The Boy and the Beast. It’s the latest anime feature from Hosoda Mamoru, the man who brought us Summer Wars and The Wolf Children. As you can tell from those works, the man has an interest in anthropomorphic characters — and this new one just may be his most furry feature yet! The Boy and the Beast “… tells the story of a lonely young boy who strays into a parallel world inhabited by supernatural creatures, where a bear-like beastman becomes his companion and mentor.” It’s set to premier in Japan this July. No word yet on any planned release in North America, but most of director Mamoru’s works have made it over here eventually. Check out the article over at Twitch Film — it includes a trailer with subtitles.

image c. 2015 Toho Studios