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Historical debates

'Zootopia' fan comic, with themes around abortion, goes viral

Your rating: None Average: 3.2 (48 votes)

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Though it was originally published back in March, the Zootopia fan comic "I Will Survive", drawn and written by Deviant Art artist "Borba", has recently garnered a lot more attention out of nowhere, and not just for its artwork. The comic, which was already notorious among fans of Zootopia for its themes of abortion and spousal abuse, has come to the attention of the wider world, and it even caused a movie nearly two years old to momentarily pop up on Twitter's trending list earlier this week.

"The Squirrels"; world premiere of a new play

Your rating: None Average: 3.8 (15 votes)

The La Jolla Playhouse, in La Jolla, California, a suburb of San Diego, will present the world premiere of a new play, “The Squirrels”, during its 2018-2019 season. The dates and casting have not been set yet.

“The Squirrels” by Robert Askins, directed by Christopher Ashley.

Winter is on its way, and the squirrels are restless. Mistrust is growing between the Grey Squirrels, who enjoy a rich cache of nuts, and the outcast, hungry Fox Squirrels. When a wily outsider ignites a savage war, the consequences are catastrophic. This epic play reveals the animal instincts driving us all.

The choice of species is fitting for the local given the squirrels in Southern California are primarily fox squirrels and gray squirrels.

An article on November 8 in the San Diego Union-Tribune says that Director Ashely calls the new work "playful and super-funny and unexpected in every possible way," and says that as with good sci-fi, the fantastical setup allows the piece "to explore our society with just enough remove that you can make bold, interesting statements. It’s squirrels in a tree, but you would recognize lots of things in this cultural moment."

Ashley noted that the costumes were not going to look like 'Disneyland', but they will convey an essential ‘squirrel-ness,’ to coin a term.

Tickets to the Playhouse’s 2018-2019 season are available only via subscription at the moment: (858) 550-1010 or lajollaplayhouse.org.

Keep tuned in as more news will be added here when it is available. It will be interesting to see how much the play’s costuming looks like fursuits.

Retrospective review: 'The Wolf Man'

Your rating: None Average: 1.6 (5 votes)

thewolfman.jpgIt's October, and that means Halloween.

To celebrate that fact, I'd like to offer a series of reviews on various werewolf movies.

Werewolves are the closest the worlds of furry and horror brush the closest to each other, though they may have more in common than they seem.

Both furry and horror deal with things of dual natures. Furry explores the line between what we mean when we say "human", and what we mean when we say "animal". The werewolf movie, more than any other sub-type of horror movie (or horror story), explores this same trope, and not just the difference between "wolf" and "man".

Our first stop in this tour of wolf-men is the obvious one, 1941's The Wolf Man, written by Curt Siodmak and starring Lon Chaney, Jr. as Lawrence "Larry" Talbot, a.k.a. the Wolf Man.

Robin Hood: Disney's Legacy Collection soundtrack review

Your rating: None Average: 4.3 (12 votes)

Robin Hood music CD Disney has been revisiting soundtracks to their classic films in recent years through what they are titling “The Legacy Collection” series. Each volume has contained a CD of the remastered original score along with a second disc of demos, outtakes and other curious rarities that enriches the listening experience. The series was kicked off in 2014 with its inaugural volume: The Lion King. Considering the Collection’s release schedule had been dormant for a couple of years it was with pleasant surprise that the series was unexpectedly revitalized earlier this month with its 13th volume: Robin Hood! Packaged in a small hardbound book with sleeves to house the CDs and generous pages of liner notes and art, this release is a winner in both content and presentation.

'Guardians of the Galaxy Vol 2': I am the fox you've been waiting for

Your rating: None Average: 2.9 (14 votes)

guardiansofthegalaxyvol2.jpgSeeing as how the the last time I reviewed a Guardians of the Galaxy movie, I spent an inordinate amount of time talking about biases, it's only fair that I cope with the fact that I might have had a bit of a bias against this movie.

I don't know if people are aware of this fact, but I really like foxes. Like, a lot. Just letting you know.

Now, the thing is, Guardians of the Galaxy features the character of Rocket, who is a raccoon, and not a fox. So, you see where I might have a problem. It's not a big deal; raccoons are cool and all, but they're not, well, foxes. This is a personal hangup, I try not to let it affect things too much, but full disclosure here. I mean, science has proven foxes are magic. Just saying. I watched a YouTube video and everything, so you can take that to the bank.

But the thing is, this movie features a running gag in which the character Nebula (Karen Gillan) keeps mistakenly referring to Rocket as a fox, which is funny, I guess, if you're not a vulpephiliac who is constantly being reminded how much more awesome this movie would be if featured Rocket the fox instead of Rocket the raccoon. I mean, this is a deep ditch the movie has to dig itself out of for this reviewer.

After that revelation, if you feel you can't take this reviewer's opinions on this movie seriously, well, I understand. But, if you're willing to give me the benefit of the doubt, by all means, please enjoy the following review of Guardians of the Galaxy Vol. II.

Review: 'Furry Fandom Conventions, 1989-2015', by Fred Patten

Your rating: None Average: 3.3 (14 votes)

Cover to Fred Patten's 'Furry Fandom Conventions'. Cover art by Yamavu.

First off, let me engage in an act of self-disclosure: I recently finished writing Furry Nation, a personal history of the birth and growth of our community and its treatment at the hands of entertainment and news media that will be published in the fall by Cleis Press. I interviewed numerous furs for the book, unknown and well-known, Fred included.

I found myself concerned it would be a conflict of interest for me to opine on Fred’s work, with the temptation to belittle it in comparison to my own. However I was happy to find Fred’s book unique in its own right. It is a work of scholarship I could never hope to duplicate. In fact, I wish it had been published a year or two earlier; it would have been an immense help to me in writing about furry conventions worldwide, a topic not covered in great detail in my own non-fiction work.

Furry conventions from A to Z

Furry Fandom Conventions begins with a brief overview of the various kinds of furry gatherings and a succinct timeline of the fandom’s origin and spread. Even though the timespan covered is in the book’s title, the conventions themselves are described not chronologically but alphabetically, from the first “Abando” convention in Brazil in 2008 (with 15 attendees), to the last “ZonieCon”, held in in Tucson, Arizona in 2001 (57). The decision to alphabetize makes perfect sense: if you’re curious about say, Further Confusion, it makes it a lot easier to trace its history in one place rather than flip through the entire book looking for each year’s summary.

Review: 'An Anthropomorphic Century', edited by Fred Patten

Your rating: None Average: 4.1 (7 votes)
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Cover art by Mark Brill

Edited by Furry Fandom's most beloved Eagle, Fred Patten, An Anthropomorphic Century reprints stories ranging from 1909 to 2008, including the talents of Peter S. Beagle, Philip K. Dick, Michael H. Payne, Phil Geusz, Renee Carter Hall, and more… including myself.

Starting with "Tobermory" by Saki in 1909, Fred does an excellent job putting these stories in a historical and social context. Around the midpoint, however, the historical context begins to soften just a little. The stories are excellent, but not all are milestones, so I would have enjoyed a bit more perspective in what was going on in the real world when they saw print.

Fred may have decided to let the newer stories stand on their own rather than distracting readers from the work themselves. Perhaps this was a good decision; the collection puts on no airs that of a textbook, after all – but Fred Patten is an expert historian of two fandoms (the other being anime). I couldn't imagine a person better suited to bringing external context to these stories.

Disclaimer: I have a story in this anthology. I'll address that story last.

Trailer: 'Pokémon Sun' and 'Moon'

Your rating: None Average: 2.1 (7 votes)

Nintendo has released a trailer for the previously announced Pokémon Sun and Moon pair of games, the latest generation of Pokémon games. The games are set for a November release, commemorating the 20th anniversary of the franchise. The trailer, like the one for last generation (X and Y), features the three new "starter"; a Grass-type owl, a Fire-type cat and a Water-type seal. The trailer also includes two as yet unnamed legendary Pokémon that, perhaps disappointingly, aren't winged unicorns.

Of the three new Pokémon, Litten, the fire type cat, seems to be the most popular with furries so far; it's already racked up 67 tagged pieces on e621.net (NSFW, so you can do your own research to verify), compared to Rowlet's 25 and Popplio's 24.

Retrospective review: 'Chicken Little'

Your rating: None Average: 3.9 (11 votes)

chickenlittle.jpgSo, anyway, earlier this year, a movie came out called Zootopia. We, uh, might have mentioned it. Despite being anticipated, or even known, by just about nobody who wasn't a furry or, perhaps, a major Disney fan, the movie managed to become a rare hit at both the box office and with professional critics (though gathering up Flayrah reviews, the consensus was more in line with Metacritic's "good, but whatever" score, because furries, am I right?).

One thing that was repeatedly and pointedly not mentioned by anyone involved with the movie was another movie a little over a decade old, called Chicken Little. Lots of interviews, and even a semi-independently produced 45-minute making of documentary, all went on at length at how this Disney's first fully anthropomorphic animal world since Robin Hood, and the first set in the furry equivalent of a modern world, despite the fact that it, well, wasn't. Chicken Little became the animated equivalent of a "disappeared non-person" in some sci-fi dystopia.

Which makes it incredibly interesting, in a weird kind of way; in a company that mines its past productions for nostalgia like there is no tomorrow (only yesterday, repeated), Disney has gone out of its way to avoid reminding anyone this movie exists. And this is actually a fairly important movie in the history of the company; it was the first full length computer animated feature by Disney (and not Pixar). So, is it really that bad?

Yes. Yes it is really that bad.